Elvis (2022) Review

By Allison Rose   X Formly Known as Twitter
3 Min Read

Between Luhrmann’s interesting decision to focus on the singer’s relationship with his manager and Butler’s outstanding performance makes this a one-ticket that is worth the price of admission.

When Elvis Aaron Presley was born in Tupelo, Mississippi in January of 1935, the world changed forever. Only it didn't know it yet. Nineteen years later, Presley would begin down a career path that would see him have 114 singles on the Top 40 Billboard charts with 18 of them becoming number one hits.  He would star in 31 movies and win three Grammy awards, all for gospel music.  He was dubbed the "king of rock and roll" and became one of the most controversial and polarizing figures in the United States.  While there have been numerous books, documentaries, and movies about the man and performer, this month's feature film, Elvis, explores his life from the perspective of his manager, Colonel Tom Parker.

Elvis Presley (Austin Butler; Once Upon A Time In Hollywood) grew up poor in Mississippi and Tennessee accounting for some of his earliest musical influences, especially the church.  At eleven he was given a guitar for his birthday but being shy, he rarely performed in front of other people.  By 1954 he was performing all over the country and in 1956 he got his first hit record.

Colonel Tom Parker (Tom Hanks; Saving Mr. Banks) was managing singer Hank Snow (David Wenham; 300) when he saw Elvis perform.  Parker began helping Elvis on the road and eventually became Elvis' manager. A con man by nature, Parker would manipulate Elvis making their relationship tumultuous for the next twenty years.

As a member of the audience, one knows they are always going to be treated to a solid performance from Hanks.  While he embodies the essence of his characters, it is difficult to completely lose Hanks in his roles ( even when he wearing prosthetics and a fat suit) which can be mildly distracting. However, by the end of the two-and-a-half-hour movie, you feel you need a shower to wash off the sleaziness of Hanks' Parker.

When the choice was made to shoot a movie about Elvis, casting the lead role was going to be tricky as the actor in the part could make or break the film.  The wrong actor could make Elvis into a parody, while the right one could make the movie a masterpiece.   Butler may not have been a household name before this week but it is absolutely certain he will be much more well-known after the movie is released.  To say the casting was excellent would be an understatement.  Butler nails Elvis' mannerisms, speaking/singing voice, and most of all, his gyrating and iconic dance moves.  This could be a career-making part for Butler and, luckily, it looks like it absolutely will be.

Baz Luhrmann (The Great Gatsby) is known for being a talented writer and an over-the-top director and he doesn't disappoint with Elvis.  From the opening minute, it becomes apparent that this is a Luhrmann picture with lavish and over-exaggerated scenes.  Luckily, as Elvis came across as over-exaggerated in his performances, this vessel is perfect for Luhrmann to utilize his particular brand of filmmaking, especially with one that includes several musical numbers.

Between Luhrmann's interesting decision to focus on the singer's relationship with his manager and Butler's outstanding performance makes this is a one-ticket that is worth the price of admission, even if you weren't an Elvis fan. I would be surprised if Elvis isn't nominated for a few Academy Awards.

With positive word of mouth, which the film should generate during its opening weekend, it should recoup its $85 million budget. I would be surprised if it doesn't.  I recommend almost everyone see Elvis If for no other reason, to watch Butler embody the essence of the King and offer up probably one of the greatest performances of his career.

Cast:
Directed By:
MPAA Rating: PG-13
Running Time: 159 minutes
Distributed By: Warner Bros.

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For more information about Elvis visit the FlickDirect Movie Database. For more reviews by Allison Rose please click here.

Elvis images are courtesy of Warner Bros.. All Rights Reserved.


FlickDirect, Allison   Rose

Allison Rose, a Senior Correspondent and Critic at FlickDirect, is a dynamic presence in the entertainment industry with a communications degree from Hofstra University. She brings her film expertise to KRMS News/Talk 97.5 FM and broadcast television, and is recognized as a Tomatometer-Approved Critic. Her role as an adept event moderator in various entertainment industry forums underscores her versatility. Her affiliations with SEFCA, the Florida Film Critics Circle, and the Online Film Critics Society highlight her as an influential figure in film criticism and media.




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